La digitalizzazione del patrimonio come strumento per la conoscenza, un’esperienza sull’architettura ferroviaria siciliana
DOI:
https://doi.org/10.56205/mim.2-1.2Palabras clave:
digital technology, laser scanning, 3D model, old photographs, perspective restitutionResumen
The process of digitisation of the artistic and cultural heritage has enriched the possibilities
of representation and communication of architecture, increasing the modes of reproduction,
fruition as well as the possibilities of protection and preservation. The study of this research
draws attention on the continuous progress of technology in the cultural fi eld and highlights
the important collaboration that exists between digital and analog representation, identifying,
with this synergy, a virtuous path that allows, through the use of different methodologies, to
be able to know and analyze the historical phases of a building. In particular, the attention
was directed to the Caltanissetta Centrale station, a signifi cant junction of the Sicilian railway
network both for the connection of the island and for the sulfur trade. With its late modernism,
the station under study is part of the story of Art Nouveau stations in Sicily, and it becomes a
witness to economic and social changes in the region, thus making itself an asset to be protected
and disseminated. Through the study of iconographic documents, historical photos, and graphic
analysis it was possible to retrace, through a backward process from the laser scanning survey to
the study of photographic restitution, the main historical phases that characterised the evolution
and extension of the factory. Through such 3D graphic representations, it was also possible to
reproduce the characteristics of the building and highlight the changes that occurred over time
and the evident divergences that existed between the building and the original design idea.
Citas
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